As a printmaker, I am driven by an exploration of mark-making, color, and texture, using printmaking as a language to convey emotion and memory. While monotypes are at the core of my practice, I integrate multiple printmaking techniques, allowing each layer to build upon the next in a lively exchange of form and meaning. Through layering and texture, I create works that invite viewers to engage deeply, fostering an intimate connection with the imagery.

A central element in my work is the use of clothing, a symbol of personal history, cultural identity, and emotional resonance. Clothing is more than fabric—it carries the weight of our lived experiences, embodying the presence of those who came before us and the personal narratives we construct over time. My work explores themes of nostalgia, womanhood, and familial history, drawing from personal recollections, heirlooms, and the quiet significance of everyday clothing. My prints become traces of time, capturing how identity is formed through both personal experiences and shared histories.

By constantly experimenting, I seek to push the boundaries of printmaking, using it as a medium to reflect memory and emotion. By connecting the past with the present, my work encourages viewers to reflect on their own histories, relationships, and the ways in which objects and materials become their vessels for meaning.